Showing posts with label echolyn. Show all posts
Showing posts with label echolyn. Show all posts

21 September 2010

(More than) 10 Questions with...Ray Weston



It’s been a long strange trip.

When I first met the guys in echolyn, it was NEARfest 2002 in a cramped band vendor room at the Trenton NJ War Memorial. Getting to talk to anyone was a miracle in and of itself, but somehow in that short bit of time, the first bits of what would turn out to be friendships began to form. I became a regular at as many of the local echolyn concerts as possible, and got to spend a lot of time talking with the guys in the band.

Having said this, for me at least, Ray Weston always seemed a bit of an enigma. He always seemed a bit aloof, keeping people at arms’ length a lot of the time. If someone asked me about the guys in the band, I could tell them all kinds of stories about things I’d discussed with Brett, or Chris, or Tom. Ray, on the other hand, or Paul? Not so much.

In time, this would change.

I’ve gotten to know Ray a lot more over the years, and I think the fact that I understand some of his experiences allows me a better insight into him as a person and an artist. His solo album, This is my Halo, continues to strike me as frighteningly dark, disturbingly candid, and amazingly true. I still spin it to this day, as hooked on the scenes he set to music today as I was the first day I heard the album.

Ray’s the second member of echolyn I’ve had the chance to interview officially for this blog…considering that the band is in the midst of recording their new album, 5 years on from the release of The End is Beautiful, the timing seemed perfect.



1. To get things started off, can you tell us a little bit about how you got started in music?

RW: We always had a radio tuned to WPEN on in the house. WPEN played big bands, Nat King Cole, The Mills Bros., The Andrews Sisters, Glenn Campbell, to name a few. I should mention that this was around the late 60's. In the early 70's I joined our church choir. I was chosen to lead the congregation in song during Sunday mass. My first gig was a 9 o'clock mass. In the mid 70's I went to our public library where I found the Black Sabbath, Sabbath Bloody Sabbath. I brought it home, recorded it on 8-track, stood in front of my mirror, learned everything about the album. I thought I sounded like Ozzy, so what the hell! Why can't I do it too?


2. Most recent echolyn shows have seen you playing multiple instruments (guitar, bass). Do you have a favourite and if so why?

RW: I have to say the guitar. Although I know my way around the bass and piano, when I want to write, my guitar is what I reach for.


3. How does it feel having echolyn back and having everyone getting along and making music again?

RW: It feels right. We are a family. Paul and Brett have known each other since grade school. I've known the 2 of them for almost 25 years now. Echolyn has been around for 20 years. Like any family we have had some fights, some of them real knock-down, jumping out of the bathroom window fights. We are all more secure in our own skin these days to let things get out of hand, besides we're to old, if one of us broke a hip-it's out to pasture with a shotgun.


4. How are things different now than they were in the 1990's?

RW: We have less attitude, more feel. Back in the day my head was full of me. The whole Sony experience has really humbled me, even now. Like J.F.K. said ask not what the song can do for you, ask what you can do for the song.


5. You released a solo album around the time mei was released (This is my Halo). Can you shed some light on the genesis of this project?

RW: When the band broke up, Brett, Paul and I put out 2 albums, did some shows, we were starting a new life. In 97 or 98 Brett and Paul were asked to go back to Nashville and record with Grey Eye Glances. This was a great opportunity for them but in my pea brain all I felt was left behind. I sank into a deep depression that lasted for years. Most of the songs for Halo were written during this funk. Now 7 years later I'm much better. I still visit the pit from time to time, I just find my way out faster.


6. Do you have any plans for another solo release, and what areas do you think it might explore lyrically?

RW: I have everything written for a second album. It will be called "A messenger of all's right." It's a mix of drugs, depression, dreams and dames. No matter how black my moods get my wife, girls, and friends show me the lighter side.


7. What do you think you bring to echolyn that no one else does?

RW: Plaid pants and a lot of hats.


8. Are there any moments that you recall as being exceptionally special musically, the kind of moment that you know won't even happen again?

RW: I would have to say our mini-tour of Europe. We were 9 moving as 1. A beautiful machine.


9. What did you think of the Still/Always Almost project? Are there any thoughts about returning to it in the future?

RW: 2 great albums. Raw energy. We really found ourselves. The 3 of us pounding out tunes. When we find time we will put out a third to tie it all together.


10. Are there any particular bands or artists you're listening to right now that are really impressing you or hitting the right spot musically for you?

RW: When I'm in a mellow mood at work I like to listen to Imogene Heap. There is something about her voice that massages my brain almost to the point of forgetting where I am…almost. My taste is very polar. I love the darkest, most vile music. I find it relaxing. It's like they are doing the work for me. Then on the other hand, Andy Williams, Eddy Albert, even Glenn Campbell will always have a place in my ears.


11. Loaded question time: what do you think of prog in general? Do you think echolyn is prog?

RW: It's growing bigger in different directions. Bands like Between the Buried and Me push the boundaries, Mastodon are more organic, Cephalic Carnage bring a death-jazz thing to the table. There is a new young band by the name of The Tea Club, they are about to release a new album. I expect to make a lot of noise real soon. Where do we fit in? I don't know.


12. How are things coming along with the new echolyn release (feel free to be as vague and/or artists as you wish)?

RW: Our new album is coming along just fine. There are 4 songs "completed" with another 3 on the way to "completion" and a few more under construction. Time line...sooner than later. I think this album has our best melodies. I can't wait for you guys to hear it.


13. Do you have any last words for our readers?

RW: Last words...learn from your mistakes, say your prayers and take your vitamins. Oh yeah come to the magic room in Brighton Massachusetts on the 25th of September to see the tea club open for me...



Find out more:
http://www.echolyn.com/
http://www.rayweston.com/


(Photo above: Ray Weston live in concert with echolyn at NEARfest 2008 by Bill Knispel.)

22 August 2010

Ray Weston (echolyn) solo show announced

Ray Weston of Echolyn
September 25 @ The Magic Room
with special guest The Tea Club
$20 advanced, $25 day of show. Only 80 tickets will be sold.

Come enjoy the "magic" of Ray Weston of Echolyn. Anyone who is familiar with Ray through his work with Echolyn or his brilliant solo album "This is My Halo" knows that he is a true modern musical poet who wears his heart on his sleeve as they say in the tradition of a FISH or Nick Cave.

Joining Ray will be one of Prog's youngest new bands The Tea Club, described by Jerry Lucky as "a new and fresh take of progressive rock structures that are easily spotted and yet sounds new and original. Their music is a mix of Mars Volta or Rush on the instrumentation side and ..Echolyn..on the writing and vocal side..."

Join us for an evening of great progressive music and story telling at the most intimate club in Boston - The Magic Room.

More Details coming @
www.bostonprog.org
www.newears.org
www.themagicroomgallery.com

19 February 2009

The Syn announce US tour

February 18, 2009, New York - Progressive rock band The Syn will show off a new lineup and a new vision with their latest CD Big Sky and an extensive North American tour that includes a performance at the world famous progressive rock festival in Philadelphia, RoSfest. Stops also include Baltimore's famed Orion Sound Studios, Chicago, Milwaukee, New York and much more. The group will also be doing two full evenings of fundraising performances in Virginia with all proceeds to be donated to music, education and the arts.

Formed in 1965, The Syn was a precursor of the band Yes, with that band's bassist Chris Squire as one of the founding members. At various times The Syn has also included Yes alums Peter Banks and Alan White in their lineup. Now The Syn continues forward with a core lineup of Steve Nardelli (founding member, songwriter, lead vocalist and guitarist), Francis Dunnery (of It Bites and Robert Plant fame - guitars and vocals) and Tom Brislin (Spiraling - also keyboardist on Yes' Symphonic tour - keyboards and vocals). The lineup is augmented for the tour by Paul Ramsey (Echolyn) providing drums and other percussion and Brett Kull (also of Echolyn) on guitar.

Much of the Big Sky tour will be filmed. The footage will be released as a documentary of the tour. This film will be available in both digital and physical formats. For more details you can find the Syn on the web (and get a full listing of tour dates) at myspace.com/thesyn.

Peace Frogs, a leading US manufacturer of ecologically responsible, sustainable living, and green-themed clothing is sponsoring the tour. A jointly-designed authentic branded Syn merchandise line will be available for sale at all of The Syn's live performances and selected in-store appearances and promotions.


The Syn Big Sky Tour 2009

April 25th: Baltimore, MD - Orion Sound Studios
April 26th: Philadelphia, PA - North Star Bar (with Echolyn)
April 27th and 28th: Gloucester, VA - Music & Education: The SYNergy of SYNtropy'
Gloucester High School Auditorium
(fundraising event; ticketing through venue - announcement made when ticketing available)
April 30th: NYC, NY - Joe's Pub
May 1st: Glenside, PA - RoSfest
May 8th: Pittsburgh, PA - Rex Theater
May 9th: Cleveland, OH - Wilbert's Food & Music

May 11th: Milwaukee, WI - Shank Hall
May 12th: Chicago, IL - Martyrs
May 13th: Poplar Grove, IL - Chubby Rain House of Tunes

More dates to be announced.

17 February 2009

Progressive Rock Series shows in Philly announced

This from Alan Benjamin of Advent:

Just a quick note to announce that Advent will be kicking off "The Progressive Rock Series" at the North Star Bar in Philadelphia this Sunday night, followed by The Red Masque and Kohoutek. Doors open at 8:00 PM and Advent is scheduled to go on promptly at 8:30. Tickets are only $10 and are available via a direct link on our website:

http://www.adventmusic.net/

A very big thank-you to Lynnette Shelley of The Red Masque for all her efforts in launching this brand new series. I sincerely hope that the entire evening is a resounding success--and that the series thrives and continues to bring much wonderful live progressive music to Philly

for a very long time to come.

Also, please note that two additional show in this series have been announced:


3/29 - Thee Maximalists/The Red Masque/Igor's Egg
4/26 - The Syn/Echolyn

For additional details, please see the venue's website at:


http://www.northstarbar.com/

26 November 2008

Some thoughts on boxed sets...

A few days ago I posted a review of the new Ayreon boxed set, Timeline. It got me to thinking about boxed sets in general. A bunch of progressive rock bands have released (in some cases, several) boxed sets, with varying degrees of success.

What do I mean by success?

That can be measured in so many ways. Certainly commercial sales is one way, but come on…this is prog. More importantly are artistic degrees of success and content. A label can repackage an artist’s catalogue, but if the artist him (or her) self is involved, the results are often superior. Related to that would be the contents of the set…is it a simple collection of previously released material, or is it filled up with interesting stuff that we may never have heard before?

The following is a smattering of boxed sets that I’ve found to offer very good value for one reason or another.


King CrimsonEpitaph, The Great Deceiver. Sure, they released one of the better career retrospective boxed sets in Frame by Frame. But save for the fourth disc of live material and a few curious edits (re-recording vocals and bass on "Cadence and Cascade" and "Bolero" respectively, among others), FxF doesn’t offer a huge amount to the hardcore Crimhead. Better to look at Epitaph, a 4-CD set of material from the first incarnation of the band (including some awesome BBC session stuff), or The Great Deceiver, 4 discs of concert material from 1973-1974. Both are well nigh essential…the first really allowed people to re-evaluate the first band and what they were capable of, while the second showed the 1973-1974 band for what they were…perhaps the first progressive metal band, and one who could jam as well. Awesome stuff all the way around.

GenesisArchive 1968-1975. Full Lamb Lies Down concert? Check. Another disc of live material from the Selling England period, along with some hard to find B-sides? Sure, why not? An entire disc of material from the Genesis to Revelations era? Well…interesting, to be certain. It’s a shame the band didn’t visit this idea for the second boxed set (1976-1992)…if they had, I’d recommend both. Add in some excellent liner notes and recollections from all parties involved, and I am more than willing to overlook the re-recorded bits (yes, it was hard to mic Gabriel when he was in the Slipperman costume, but…). Now, all we need to find is a previously unknown high quality professionally filmed Lamb show and release it on DVD…that sound you hear is the sound of 500,000 devoted Genesis fans combusting spontaneously in thought…

Magma Trilogie au Triannon. It’s tempting to say you need no more Magma than this. This is the essence…the first trilogy from Christian Vander and his Kobaian band mates. MDK, Wurdah Itah, Theusz Hamtaakh…Orff-ian, minimalistic, orchestral, intense. You get lyrics! You can sing along! It sounds like I making fun of this, but…I’m not. Magma is one of my favourite bands ever, and this boxed set is one of the best ways to discover what this underrated band has to offer. Not many groups can claim to have created a whole genre of music…Magma did just that. Essential. Essential in extremis.

Frank ZappaThe MOFO Project/Object. Zappa’s had a bunch of things that could be considered a boxed set. Lather is one, one might consider the YCDTOSA series as one, especially if you have the road case to put the volumes in. But that one was released in 6 individual releases, while Lather is more a repackaging than anything else. MOFO is…more. Yes, you have the original Freak Out! Album, but it’s a mix no one has heard in almost ever. Plus loads of studio sessions, outtakes, interviews…it gives the listener a great look into Zappa in 1966, the Mothers of Invention at their early onset, and it smokes to boot. I am not too keen on the packaging (the plastic seems to stick a little bit), but it’s an impressive looking thing, to be sure. And the music matches it.

EcholynA Little Nonsense. Yes, I wish the debut release were in print by itself. Same with …and every blossom, or When the Sweet Turns Sour. But we get all of them here, along with some remakes of older songs, some outtakes, and so on. 3 discs, a bugger of a package (yes, it looks all nice, but the discs can be a beast to get out carefully), and a nice booklet that offers up some historical background to the music in hand. If you’ve got everything else the band released and are missing these, get the box. It’s less expensive by far than trying to dredge up an original pressing of the debut, which at one point was selling for $200 or more.

RenaissanceDa Capo. A bit slight at only 2 CDs, this set is, however, what the old Sire released Tales of 1001 Nights dreamed it could be. More inclusive by far, it covers the old Keith Relf era of the band up through unreleased material from the Time Line/Camera Camera era band. The booklet is informative, there’s some great photos of the band from throughout the life of the group, and over all, it’s the best package a Renaissance fan has right now. It serves as a great intro to the band for those unfamiliar with their glorious classically influenced progressive rock. And really…you can never have too much Annie Haslam.

Emerson Lake and Palmer – Where do I go here? I don’t have the most recently released boxed set, so I am limited to looking at The Return of the Manticore and the 3 Bootleg Boxes. The original 4 CD boxed set really only offered up one disc of interest to hardcore fans…the first, with some reworkings of songs from each band member’s past (i.e., a Crimson cover, a Nice cover, an Arthur Brown cover), as well as a reworking of Pictures at an Exhibition. There’s a few previously unreleased live tracks tossed in to spice things up, but overall, this is pretty much a career retrospective and not much more. The bootleg boxes are illuminating, and occasionally offer up some great sounding live recordings (the pair from 1992 and 1993 specifically), but in the end they are for absolute die hard fans only, the ones who can handle listening to a recording that is muffled or imperfect in order to hear the band taking risks.

I have a hard time with Yes. All I really have is the old YesYears set. I do not have In a Word, nor do I have The Word is Live. So I can’t recommend either of those. And YesYears…out of print, out of date (only covers up to Union), and some curious selections in tracks. Not a lot of unreleased goodies either…and very unessential now that Rhino has repackaged and re-released all the original studio albums with a plethora of bonus tracks and stuff.


I'll probably revisit this subject in a few days as well, once I've had a chance to mull over a few other boxed sets and artists...watch this space!

21 November 2008

echolyn and Brett Kull preorders now available


HERE.

echolyn's 2000 album release of "Cowboy Poems Free" has been totally remixed & remastered with all new artwork and a 20-page color booklet — this disc is not to be missed — echolyn's very own slice of Americana now released in the way it was supposed to sound — loud and proud!

Brett Kull's second solo release "Last of the Curlews," featuring Paul Ramsey on drums, is a mature, sonically rich album of picturesque songs and stories! Cover artwork by Tara Jane O'Neal.

Pre-Order Your Discs Today!

All orders received (via PayPal thru echolyn.com by midnight Sunday evening, December 14, 2008) OR check/money order (must be postmarked by 12/13/2008) will receive signed copies by the band! All pre-orders will be signed and shipped by Friday, December 19, 2008.

26 June 2008

NEARfest 2008 in review

NF 2008 was in some ways one of the more challenging ones for me from both a physical and emotional level. Through most of the weekend, my body seemed to be conspiring against me. Despite this, some of the most memorable musical things happened.

Koenjihyakkei was a solid Saturday opener. I had some issues with the vocal/sax interplay, both of which seemed to stay in very similar ranges, making it difficult at times to discern which was which. But they also had "the" drummer of the festival for me in Tatsuya Yoshida, and his performance was the benchmark by which I compared all others.

Sorry, Mike Portnoy.

Discipline. Not fair of me to say anything. They exceeded my expectations a thousand fold, and I wept for the first time during the festival as they played "Into the Dream." It was a transcendent set for me, one I hope will eventually see some kind of official release. I should add that the rest of the guys in the band are brilliant as well...I've known Matthew Parmenter for a few years, but Mathew Kennedy, Jon Preston Bouda and Pual Dzendel were all a joy to chat with too.

Peter Hammill was superb. It was one of the diverging performances of the weekend, as his particular brand of existential despair and doom is not for everyone. But he played 'In the Black Room,' and 'A Better Time,' and 'Still Life.' A perfect English gentleman to talk to as well. Brilliant man.

Liquid Tension Experiment was good. I know they wowed a lot of people who expected nothing from their set. I did about 90 minutes of their set, and had enough. It's just not for me anymore. But kudos for incorporating a full fledged and rearranged rendition of George Gershwin's "Rhapsody in Blue" into their performance (Banco would echo this Sunday night, opening their encore with a soprano sax or clarinet solo that interpolated bits of the theme).

Morglbl on the other hand is LTE with Gallic humour. Cristopher Godin is a ham, and his stage presence was wonderful. Floral print tie and all. Great player, oozing character, and the bassist held his own! Very goofy, fun, party prog on the metal edge. Liked them a lot. I'll buy their albums I think. A perfect Sunday opener, and I think they got called out for two encores (and deservedly so), a first.

Radio Massacre International...I dig electronic music, but watching it can be tedious. It was somewhat here...and I was tired. And starting to hurt badly. Cyndee Lee Rule's violin additions helped, as did the occasional use of drums. But the set seemed disjointed.

Echolyn was also a lot of fun. they played several songs I'd never heard played before, like 'Winterthru,' 'The Great Men,' 'Entry 11-19-93' (or whatever the date in the title was). Very energetic set. No new material, but it was a blast. Again, I missed part, as before the encores I started to hurt so bad I was nauseous and crying (thankfully over the course of the rest of the evening I'd spend some time with the guys, which was brilliant as always. They are total class acts...).

Medication and food later, we had...

Banco del Mutuo Soccorso.

After their set, I walked around goofy saying "I just saw Banco." I'd walk up to someone and say "That was Banco." It was transcendent, and again, I wept. They were everything I heard on their albums and more. Far far more.

But for me, this year meant something more. This year I think I realised how important the people around me all weekend were. My friends helped me get through a very rough patch with kindness and concern and selflessness. That totally made it for me. Some of the past festivals' performances may have been individually superior, but I may remember NEARfest 2008 most fondly in the end.

24 June 2008

NEARfest 2008 photos redux

I'm uploading the last of the pix now, so you can click on the following links to see the rest of the shots:

http://smg.photobucket.com/albums/v478/prjt2501/nearfest_2008/5_morglbl/
http://smg.photobucket.com/albums/v478/prjt2501/nearfest_2008/6_rmi/
http://smg.photobucket.com/albums/v478/prjt2501/nearfest_2008/7_echolyn/
http://smg.photobucket.com/albums/v478/prjt2501/nearfest_2008/8_banco/

The dearth of RMI pix is as much an indictment of the lighting (which suited the music but made photography a touch difficult) as anything else. Plus, let's face it...looking at 3 dozen photos of two synthesists flipping switches, pushing buttons and dialing in sounds would get a mite boring.

Anyway...enjoy.